Vishnu Purana· Viṣṇu Purāṇa
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अध्याय 93 / 126

Book 5 - Adhyaya 13

61 श्लोकWhatsApp

पूर्ण अध्याय पाठ61 श्लोक

श्लोक पर जाएं:

अध्याय ९३

श्लोक 1

[[इति श्रीविष्णुपुराणे पञ्चमे ऽंशे द्वादशो ऽध्यायः ]] गते शक्रे तु गोपालाः कृष्णम् अक्लिष्टकारिणम् ऊचुः प्रीत्या धृतं दृष्ट्वा तेन गोवर्धनाचलम्

[[iti śrīviṣṇupurāṇe pañcame 'ṃśe dvādaśo 'dhyāyaḥ ]] gate śakre tu gopālāḥ kṛṣṇam akliṣṭakāriṇam ūcuḥ prītyā dhṛtaṃ dṛṣṭvā tena govardhanācalam

हिन्दी अर्थ

प्रिय अक्रूरजी राजा कंससे “जो आज्ञा' कह एक अति सुन्दर रथपर चढ़े और मथुरापुरीसे बाहर निकल आये

English

ARASARA said : — Sakra having departed, the cow-herds, on seeing him uplift the mountain Govardhana, said to Krishna of wonderous deeds, delightedly :— "O thou of mighty arms, thou hast saved us from a great fear; by hold- ing up the mountain thou hast protected the cows. Wonder- ful are thy childish sports and insignificantis the condition of a herdsman and all thy actions are those of a god. Tell us what is the meanings of all this. Kaliya has been vanquish- ed in the water; Pralamba has been killed: Govardhana has been lifted up : our minds are filled vvith surprise. We can swear by the feet of Hari, thou of unbounded míght, that beholding thy powers we do not consider thee as man. O Kesava, the woman, the children and the old of Vraja are all pleased with thee — even all the celestials cannot perform the deeds thou hast done. Thy boyhood and thy prowess ; thy humiliating birth amongest us, are contraductions that fill us with surprise whenever we think of them. Be thou a god, or a demon or a Yaksha or a Gandharba, or whatever, we may consider thee, we should respect thee for thou art our

अध्याय ९३

श्लोक 2

वयम् अस्मान् महाभाग भवता महतो भयात् गावश् च भवता त्राता गिरिधारणकर्मणा

vayam asmān mahābhāga bhavatā mahato bhayāt gāvaś ca bhavatā trātā giridhāraṇakarmaṇā

हिन्दी अर्थ

केशी चापि बलोदग्र: कंसदूतप्रचोदित: । तस्य हेषितशब्देन गोपाला हैत्यवाजिन:। अलं त्रासेन गोपाला: केशिन: कि भयातुरैः । किमनेनाल्‍पसारेण हेषिताटोपकारिणा।

English

When they had finished, Krishna rftmaind silent for some time as if hurt and wounded and then said to them. Herds- men, if you are not ashamed of my relationship, if 1 have deserved your praise, then what necessity have you to discuss thus concerning me ? If you have any love for me, if I merit your praise, then consider me as your friend. I am nither a god, nor a Gandharba nor a Yaksha nor a demon— I am born as thy friend and you should not think otherwise of me." PARASAKA said :— Being addressed thus, O great Muni' the cow-herds remained*silent and went iuto the woods

अध्याय ९३

श्लोक 3

बालक्रीडेयम् अतुला गोपालत्वं जुगुप्सितम् दिव्यं च कर्म भवतः किम् एतत् तात कथ्यताम्

bālakrīḍeyam atulā gopālatvaṃ jugupsitam divyaṃ ca karma bhavataḥ kim etat tāta kathyatām

हिन्दी अर्थ

अपने खुरोंसे पृथिवीतलको खोदता, ग्रीवाके बालोंसे बादलोंको भी पार करता गोपोंकी ओर दौड़ा

English

leavíng Krishna apparently displeased. Beholding the clear sky with the autumnal raoon, aud the air perfumed with the fragrance of the wild water-lily in whose buds the clustering bees were murmuring their songs, he felt inclined to join with the females of cow-herds in sport. Thereupon with Rama he began singing-sweet low strains in various measures such as the woman loved ; and tbey, as soon as they heard the music, left their homes and hastened to meet the Slayer of Madhu. One damsel gently sang an accompaniment to his song, another attentively listened to his music : one called him by the name and then shrank in bashfulness : whilst another, more boid and prompted by love, pressed close to his side ; one, as she caine out, saw some of the seniors of her family and dared not veuture satisfying herself with meditaling on Krishna with closed eyes and whole-minded devotion by which immediately all acts of merit were erfaced by rapture and all sin was expiated by regret at not seeing him : and uthers again, reflecting upon the cause of the world, in the lorm of the Supreme Brahma, obtained, by their sighing, final emancipatton. Thus encircled by the females of cow-herds Krishna thought the lovely moon-light night of autumn suited to the Rasa * dance. Many of them so imitated the different actions of Krishna that in his absence they wandered through Vrindavana representing his person. "I am Krishna" ex- claims one " behold the beauty of my movemeuts." " I am Krishna" cries aiother ''Listen to my sing." "Waiti wicked Káliya, I am Krishna " cries out another striking her arms defiantly. A fourth cries out : " Herdsmen, fear nothing, be steady, there is no danger of the storm any more for I uplift fhe Govardhana for your protection," and a fifth exclaims— " Now let the cattle graze wherever they will, for I have slain Dhenuka." In this wise the females of the cow-herds imitat-

अध्याय ९३

श्लोक 4

कालियो दमितस् तोये प्रलम्बो विनिपातितः धृतो गोवर्धनश् चायं शङ्कितानि मनांसि नः

kāliyo damitas toye pralambo vinipātitaḥ dhṛto govardhanaś cāyaṃ śaṅkitāni manāṃsi naḥ

हिन्दी अर्थ

हैत्यके हिनहिनानेके शब्दसे भयभीत होकर समस्त गोप और गोपियाँ श्रीगोविन्दकी शरणमें आये

English

* The Rasa dance is danced by men and women hoiding eacb othet's hands ai >d going round in a ciicle jinginj the air» to what they dance.

अध्याय ९३

श्लोक 5

सत्यं सत्यं हरेः पादौ शपामो ऽमितविक्रम यथा त्वद्वीर्यम् आलोक्य न त्वां मन्यामहे नरम्

satyaṃ satyaṃ hareḥ pādau śapāmo 'mitavikrama yathā tvadvīryam ālokya na tvāṃ manyāmahe naram

हिन्दी अर्थ

मेघकी गर्जनाके समान गम्भीर वाणीसे बोले--

English

ed the various aclions of Krislma, and in his absence removed their sorrow by mimicking his sports. One damsel, looking on the earth with the down of her person erect and expanded eyes, exclaims " See here are the impressions of Krishna's feet and as he lias gone, he has left those marks of the banner, the thunder-bolt and the goad. What fortunate damsel is going with him inebrieate with her passion as her irregular footmarks prove ? Here Dámodara has calied flowers from on liigh, for we see alone the marks of the tips of his feet. Here a nymph has sat down with him be-decked with flowers, fortunate in having propitiated Vishnu in a pristime birth. Having left her in a hauglity mood because he had aóWed her with flowers, the sou of Nanda has gone by this road ; for see, unable to follow liim vuitli equal steps his companion has liere trippled along upon her toes ; and that holding his hand, the damsel has passed on is evident from the uneven and intermingled footsteps. The wicked Krishna merely took her by the hand and then left her. The damsel, being dis- appointed, is returning in falterin j steps — for such her foot- marks indicate. Forsooth he proposed to her that he would come back soon, for here are his own footsteps returning with speed. Here he has entered the thick íore6t but as the rays of the moon do not enter here his footsteps can be traced no farther." Being hopeless of beholding Krishna, the females of the cow-herds came back and arriving at the banks of the Yamuna, they began to sing his songs. They immediatery saw the protector of the three worlds, with a smiling counte- nance, coniing speedily towards them, on which one cried out " Krishna, Krishna being unable to utter any thing else. One liked to contract her forehead with frowns as diinking with the bees of her eyes the lotus of the face of Hari : ano- ther, shutting her eyes, meditated, in her mind, upon his form as if being engaged in an act of devotion. Thereupón com- ing amongst them Mádliaba conciliated some with soft words toine vtith gentle looks and some he took by the hand atid

अध्याय ९३

श्लोक 6

प्रीतिः सस्त्रीकुमारस्य व्रजस्य तव केशव कर्म चेदम् अशक्यं यत् समस्तैस् त्रिदशैर् अपि

prītiḥ sastrīkumārasya vrajasya tava keśava karma cedam aśakyaṃ yat samastais tridaśair api

हिन्दी अर्थ

गोपालगण ! आपलोग केशी (केशधारी अश्व)-से न डेरें, आप तो गोप-जातिके हैं, फिर इस प्रकार भयभीत होकर आप अपने वीरोचित पुरुषार्थका लोप क्यों करते हैं 2

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 7

बालत्वं चातिवीर्यं च जन्म चास्मासु शोभनम् चिन्त्यमानम् अमेयात्मञ् शङ्कां कृष्ण प्रयच्छति

bālatvaṃ cātivīryaṃ ca janma cāsmāsu śobhanam cintyamānam ameyātmañ śaṅkāṃ kṛṣṇa prayacchati

हिन्दी अर्थ

यह अल्पवीर्य, हिनहिनानेसे आतंक फैलानेवाला और करते हैं, आपलोगोंका क्‍या बिगाड़ सकता है ?!”

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 8

देवो वा दानवो वा त्वं यक्षो गन्धर्व एव वा किं वास्माकं विचारेण बान्धवो ऽसि नमो ऽस्तु ते प्रायेण त्वं महाबाहो हरिर् वा रुद्र एव वा ब्रह्मा सेन्द्रो यमो वापि वरुणो वा कुबेरकः अन्यो वा सर्वदेवानां नाथ x त भुवो भवः नमो ऽस्तु ते देवदेव यद् अस्माकं हितं तथा

devo vā dānavo vā tvaṃ yakṣo gandharva eva vā kiṃ vāsmākaṃ vicāreṇa bāndhavo 'si namo 'stu te prāyeṇa tvaṃ mahābāho harir vā rudra eva vā brahmā sendro yamo vāpi varuṇo vā kuberakaḥ anyo vā sarvadevānāṃ nātha x ta bhuvo bhavaḥ namo 'stu te devadeva yad asmākaṃ hitaṃ tathā

हिन्दी अर्थ

इस प्रकार गोपोंको धैर्य बँधाकर वे केशीसे वीरभद्रने जिस प्रकार पूषाके दाँत उखाड़े थे, उसी प्रकार मैं कृष्ण तेरे मुखसे सारे दाँत गिरा दूँगा''

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 9

क्षणं भूत्वा त्व् असौ तूष्णीं किंचित् प्रणयकोपवान् इत्य् एवम् उक्तस् तैर् गोपैः कृष्णो ऽप्य् आह महामुने

kṣaṇaṃ bhūtvā tv asau tūṣṇīṃ kiṃcit praṇayakopavān ity evam uktas tair gopaiḥ kṛṣṇo 'py āha mahāmune

हिन्दी अर्थ

ऐसा कहकर श्रीगोविन्द उछलकर केशीके सामने आये और वह अश्वरूपधारी हैत्य भी मुँह खोलकर

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 10

मत्संबन्धेन वो गोपा यदि लज्जा न जायते श्लाघ्यो वाहं ततः किं वो विचारेण प्रयोजनम्

matsaṃbandhena vo gopā yadi lajjā na jāyate ślāghyo vāhaṃ tataḥ kiṃ vo vicāreṇa prayojanam

हिन्दी अर्थ

'फैलाकर उस अश्वरूपधारी दुष्ट हैत्यके मुखमें डाल

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 11

यदि वो ऽस्ति मयि प्रीतिः श्लाघ्यो ऽहं भवतां यदि तदात्मबन्धुसदृशी बुद्धिर् वः क्रियतां मयि

yadi vo 'sti mayi prītiḥ ślāghyo 'haṃ bhavatāṃ yadi tadātmabandhusadṛśī buddhir vaḥ kriyatāṃ mayi

हिन्दी अर्थ

केशीके मुखमें घुसी हुई भगवान् कृष्णकी बाहुसे टकराकर उसके समस्त दाँत शुभ्र मेघखण्डोंके समान टूटकर बाहर गिर पड़े

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 12

नाहं देवो न गन्धर्वो न यक्षो न च दानवः अहं वो बान्धवो जातो नैतच् चिन्त्यम् अतो ऽन्यथा

nāhaṃ devo na gandharvo na yakṣo na ca dānavaḥ ahaṃ vo bāndhavo jāto naitac cintyam ato 'nyathā

हिन्दी अर्थ

गयी व्याधि जिस प्रकार नाश करनेके लिये बढ़ने लगती है, उसी प्रकार केशीके देहमें प्रविष्ट हुई कृष्णचन्द्रकी भुजा बढ़ने लगी

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 13

इति श्रुत्वा हरेर् वाक्यं बद्धमौनास् ततो वनम् ययुर् गोपा महाभाग तस्मिन् प्रणयकोपिनि

iti śrutvā harer vākyaṃ baddhamaunās tato vanam yayur gopā mahābhāga tasmin praṇayakopini

हिन्दी अर्थ

फट जानेसे वह फेनसहित रुधिर वमन करने लगा और उसकी आँखें स्नायुबन्धनके ढीले हो जानेसे

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 14

कृष्णस् तु विमलं व्योम शरच्चन्द्रस्य चन्द्रिकाम् तथा कुमुदिनीं फुल्लाम् आमोदितदिगन्तराम्

kṛṣṇas tu vimalaṃ vyoma śaraccandrasya candrikām tathā kumudinīṃ phullām āmoditadigantarām

हिन्दी अर्थ

तब वह मल-मूत्र छोड़ता हुआ पृथिवीपर पैर पटकने लगा, उसका शरीर पसीनेसे भरकर ठण्डा पड़ गया और वह निश्चेष्ट हो गया

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 15

वनराजीं तथा कूजद्भृङ्गमालामनोरमाम् विलोक्य सह गोपीभिर् मनश् चक्रे रतिं प्रति

vanarājīṃ tathā kūjadbhṛṅgamālāmanoramām vilokya saha gopībhir manaś cakre ratiṃ prati

हिन्दी अर्थ

केशिनस्ते द्विधाभूते शकले द्वे विरेजतु:॥ १५७ हत्वा तु केशिनं कृष्णो गोपालैरमुदितैर्व॑त:ः । ततो गोप्यएच गोपाश्च हते केशिनि विस्मिता: । केशिनं निहतं दृष्टवा हर्षनिर्भमानस: ॥ १८

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 16

विना रामेण मधुरम् अतीव वनिताप्रियम् जगौ कलपदं शौरिर् नानातन्त्रीकृतव्रतम्

vinā rāmeṇa madhuram atīva vanitāpriyam jagau kalapadaṃ śaurir nānātantrīkṛtavratam

हिन्दी अर्थ

केशीके शरीरके वे दोनों खण्ड दो पाँव, आधी पीठ, आधी मूँछ तथा एक-एक कान-आँख और नासिकारन्भ्रके सहित सुशोभित हुए

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 17

रम्यं गीतध्वनिं श्रुत्वा संत्यज्यावसथांस् तदा आजग्मुस् त्वरिता गोप्यो यत्रास्ते मधुसूदनः

ramyaṃ gītadhvaniṃ śrutvā saṃtyajyāvasathāṃs tadā ājagmus tvaritā gopyo yatrāste madhusūdanaḥ

हिन्दी अर्थ

केशीके मारे जानेसे विस्मित हुए गोप और गोपियोंने अनुरागवश अत्यन्त

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 18

शनैः शनैर् जगौ गोपी काचित् तस्य लयानुगम् दत्तावधाना काचिच् च तम् एव मनसास्मरत्

śanaiḥ śanair jagau gopī kācit tasya layānugam dattāvadhānā kācic ca tam eva manasāsmarat

हिन्दी अर्थ

है विप्र! उसे मरा देख मेघपटलमें छिपे हुए श्रीनारदजी हर्षितचित्तसे कहने लगे--

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 19

काचित् कृष्णेति कृष्णेति प्रोक्त्वा लज्जाम् उपाययौ ययौ च काचित् प्रेमान्धा तत्पार्श्वम् अविलज्जिता

kācit kṛṣṇeti kṛṣṇeti proktvā lajjām upāyayau yayau ca kācit premāndhā tatpārśvam avilajjitā

हिन्दी अर्थ

हे अच्युत !! आप धन्य हैं, धन्य हैं। अहा ! आपने देवताओंको दुःख देनेवाले इस केशीको लीलासे ही मार डाला

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 20

काचिद् आवसथस्यान्तः स्थित्वा दृष्ट्वा बहिर् गुरुम् तन्मयत्वेन गोविन्दं दध्यौ मीलितलोचना

kācid āvasathasyāntaḥ sthitvā dṛṣṭvā bahir gurum tanmayatvena govindaṃ dadhyau mīlitalocanā

हिन्दी अर्थ

में मनुष्य और अश्वके इस पहले और कहीं न होनेवाले

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 21

तच्चिन्ताविपुलाह्लादक्षीणपुण्यचया तथा तदप्राप्तिमहादुःखविलीनाशेषपातका

taccintāvipulāhlādakṣīṇapuṇyacayā tathā tadaprāptimahāduḥkhavilīnāśeṣapātakā

हिन्दी अर्थ

हे मधुसूदन! आपने अपने इस विस्मित और सन्तुष्ट हो रहा है

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 22

चिन्तयन्ती जगत्सूतिं परब्रह्मस्वरूपिणम् निरुच्छ्वासतया मुक्तिं गतान्या गोपकन्यका

cintayantī jagatsūtiṃ parabrahmasvarūpiṇam nirucchvāsatayā muktiṃ gatānyā gopakanyakā

हिन्दी अर्थ

समय यह अश्व अपनी सटाओंको हिलाता और हींसता हुआ आकाशकी ओर देखता था तो इससे सम्पूर्ण देवगण

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 23

गोपीपरिवृतो रात्रिं शरच्चन्द्रमनोरमाम् मानयाम् आस गोविन्दो रासारम्भरसोत्सुकः

gopīparivṛto rātriṃ śaraccandramanoramām mānayām āsa govindo rāsārambharasotsukaḥ

हिन्दी अर्थ

हे जनार्दन! आपने इस दुष्टात्मा केशीको मारा है; इसलिये आप लोककमें 'केशव' नामसे विख्यात होंगे

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 24

गोप्यश् च वृन्दशः कृष्णचेष्टास्व् आयत्तमूर्तयः अन्यदेशं गते कृष्णे चेरुर् वृन्दावनान्तरम् कृष्णे निबद्धहृदया इदम् ऊचुः परस्परम्

gopyaś ca vṛndaśaḥ kṛṣṇaceṣṭāsv āyattamūrtayaḥ anyadeśaṃ gate kṛṣṇe cerur vṛndāvanāntaram kṛṣṇe nibaddhahṛdayā idam ūcuḥ parasparam

हिन्दी अर्थ

हे केशिनिषूदन ! आपका कल्याण हो, अब में जाता हूँ। परसों कंसके साथ आपका युद्ध होनेके समय में फिर आऊँगा

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 25

कृष्णो ऽहम् एतत् ललितं व्रजाम्य् आलोक्यतां गतिः अन्या ब्रवीति कृष्णस्य मम गीतिर् निशम्यताम् निहता पूतना तद्वच् शकटं परिवर्तितम् सख्यः पश्यत कृष्णस्य मम विक्रमम् अद्भुतम्

kṛṣṇo 'ham etat lalitaṃ vrajāmy ālokyatāṃ gatiḥ anyā bravīti kṛṣṇasya mama gītir niśamyatām nihatā pūtanā tadvac śakaṭaṃ parivartitam sakhyaḥ paśyata kṛṣṇasya mama vikramam adbhutam

हिन्दी अर्थ

अनुगामियों सहित उग्रसेनके पुत्र कंसके मारे जानेपर आप पृथिवीका भार उतार देंगे

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 26

दुष्ट कालिय तिष्ठात्र कृष्णो ऽहम् इति चापरा बाहुम् आस्फोट्य कृष्णस्य लीलासर्वस्वम् आददे

duṣṭa kāliya tiṣṭhātra kṛṣṇo 'ham iti cāparā bāhum āsphoṭya kṛṣṇasya līlāsarvasvam ādade

हिन्दी अर्थ

मैं अनेक राजाओंके साथ आप आयुष्मान् पुरुषके किये हुए अनेक प्रकारके युद्ध देखूँगा

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 27

अन्या ब्रवीति भो गोपा निःशङ्कैः स्थीयताम् इह अलं वृष्टिभयेनात्र धृतो गोवर्धनो मया अन्या ब्रवीति च सखी पश्य त्वं माम् अकल्मषम् नानाप्रकारया कृष्णं शोभितं वनमालया

anyā bravīti bho gopā niḥśaṅkaiḥ sthīyatām iha alaṃ vṛṣṭibhayenātra dhṛto govardhano mayā anyā bravīti ca sakhī paśya tvaṃ mām akalmaṣam nānāprakārayā kṛṣṇaṃ śobhitaṃ vanamālayā

हिन्दी अर्थ

मैं जाना चाहता हूँ। आपने देवताओंका बहुत बड़ा कार्य किया है। आप सभी कुछ जानते हैं मैं अधिक क्‍या कहूँ ? आपका मंगल हो, मैं जाता हूँ””

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 28

धेनुको ऽयं मया क्षिप्तो विचरन्तु यथेच्छया गोपी ब्रवीति चैवान्या कृष्णलीलानुकारिणी

dhenuko 'yaṃ mayā kṣipto vicarantu yathecchayā gopī bravīti caivānyā kṛṣṇalīlānukāriṇī

हिन्दी अर्थ

तदनन्तर नारदजीके चले जानेपर गोपगणसे सम्मानित साथ गोकुलमें प्रवेश किया

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 29

एवं नानाप्रकारासु कृष्णचेष्टासु तास् तदा गोप्यो व्यग्राः समं चेरू रम्यं वृन्दावनं वनम् प्रपन्नानां ततस् तासां कृष्णमार्गानुसारतः प्रावर्तत समुल्लापः कृष्णस्यान्वेषणं प्रति

evaṃ nānāprakārāsu kṛṣṇaceṣṭāsu tās tadā gopyo vyagrāḥ samaṃ cerū ramyaṃ vṛndāvanaṃ vanam prapannānāṃ tatas tāsāṃ kṛṣṇamārgānusārataḥ prāvartata samullāpaḥ kṛṣṇasyānveṣaṇaṃ prati

हिन्दी अर्थ

अक्वूरजीकी गोकुलयात्रा श्रीपपशर उवाच श्रीपराशरजी बोले--अक्रूरजी भी तुरंत ही

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 30

विलोक्यैका भुवं प्राह गोपी गोपवराङ्गना पुलकाञ्चितसर्वाङ्गी विकासिनयनोत्पला

vilokyaikā bhuvaṃ prāha gopī gopavarāṅganā pulakāñcitasarvāṅgī vikāsinayanotpalā

हिन्दी अर्थ

चकार जगतो यो5ज: सोउद्य मां प्रलपिष्यति॥ १० कोई नहीं है; क्योंकि अपने अंशसे अवतीर्ण चक्रधारी

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 31

ध्वजवज्राङ्कुशाब्जाङ्करेखावन्त्य् आलि पश्यत पदान्य् एतानि कृष्णस्य लीलालंकृतगामिनः

dhvajavajrāṅkuśābjāṅkarekhāvanty āli paśyata padāny etāni kṛṣṇasya līlālaṃkṛtagāminaḥ

हिन्दी अर्थ

आज मेरा जन्म सफल हो गया; आजकी रात्रि अवश्य सुन्दर प्रभातवाली थी, जिससे कि मैं मुखका दर्शन करूँगा

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 32

कापि तेन समं याता कृतपुण्या मदालसा पदानि तस्याश् चैतानि घनान्य् अल्पतनूनि च

kāpi tena samaṃ yātā kṛtapuṇyā madālasā padāni tasyāś caitāni ghanāny alpatanūni ca

हिन्दी अर्थ

प्रभुका जो संकल्पमय मुखारविन्द स्मरणमात्रसे पुरुषोंके पापोंको दूर कर देता है, आज मैं विष्णुभगवानके उसी कमलनयन

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 33

पुष्पावचयम् अत्रोच्चैश् चक्रे दामोदरो ध्रुवम् येनाग्राक्रान्तिमात्राणि पदान्य् अत्र महात्मनः

puṣpāvacayam atroccaiś cakre dāmodaro dhruvam yenāgrākrāntimātrāṇi padāny atra mahātmanaḥ

हिन्दी अर्थ

जिससे सम्पूर्ण वेद और वेदांगोंकी

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 34

अत्रोपविश्य सा तेन कापि पुष्पैर् अलंकृता अन्यजन्मनि सर्वात्मा विष्णुर् अभ्यर्चितो यया

atropaviśya sā tena kāpi puṣpair alaṃkṛtā anyajanmani sarvātmā viṣṇur abhyarcito yayā

हिन्दी अर्थ

आधारभूत पुरुषोत्तमका यज्ञपुरुषरूपसे यजन (पूजन) किया जाता है, आज मैं उन्हीं जगत्पतिका दर्शन

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 35

पुष्पबन्धनसंमानकृतमानाम् अपास्य ताम् नन्दगोपसुतो यातो मार्गेणानेन पश्यत

puṣpabandhanasaṃmānakṛtamānām apāsya tām nandagopasuto yāto mārgeṇānena paśyata

हिन्दी अर्थ

जिनका सौ यज्ञोंसे यजन करके इन्द्रने देवराज-पदवी प्राप्त की है, आज मैं उन्हीं अनादि और अनन्त केशवका दर्शन करूंगा

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 36

अनुयाने ऽसमर्थान्या नितम्बभरमन्थरा या गन्तव्ये द्रुतं याति निम्नपादाग्रसंस्थितिः

anuyāne 'samarthānyā nitambabharamantharā yā gantavye drutaṃ yāti nimnapādāgrasaṃsthitiḥ

हिन्दी अर्थ

आदित्य और मरुद्गण आदि कोई भी नहीं जानते

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 37

हस्तन्यस्ताग्रहस्तेयं तेन याति तथा सखी अनायत्तपदन्यासा लक्ष्यते पदपद्धतिः

hastanyastāgrahasteyaṃ tena yāti tathā sakhī anāyattapadanyāsā lakṣyate padapaddhatiḥ

हिन्दी अर्थ

अहो! आज स्वयं वे ही मेरे साथ बातें करेंगे

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 38

हस्तसंस्पर्शमात्रेण धूर्तेनैषा विमानिता नैराश्यान् मन्दगामिन्या निवृत्तं लक्ष्यते पदम्

hastasaṃsparśamātreṇa dhūrtenaiṣā vimānitā nairāśyān mandagāminyā nivṛttaṃ lakṣyate padam

हिन्दी अर्थ

नूसिंह आदि रूप धारणकर जगत्की रक्षा की है, आज वे ही मुझसे वार्तालाप करेंगे

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 39

नूनम् उक्ता त्वरामीति पुनर् एष्यामि ते ऽन्तिकम् तेन कृष्णेन येनैषा त्वरिता पदपद्धतिः

nūnam uktā tvarāmīti punar eṣyāmi te 'ntikam tena kṛṣṇena yenaiṣā tvaritā padapaddhatiḥ

हिन्दी अर्थ

मनमें सोचा हुआ कार्य करनेके लिये अपनी ही इच्छासे मनुष्य-देह धारण किया है

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 40

प्रविष्टो गहनं कृष्णः पदम् अत्र न लक्ष्यते निवर्तध्वं शशाङ्कस्य नैतद् दीधितिगोचरे

praviṣṭo gahanaṃ kṛṣṇaḥ padam atra na lakṣyate nivartadhvaṃ śaśāṅkasya naitad dīdhitigocare

हिन्दी अर्थ

(शेषजी) अपने मस्तकपर रखी हुई पृथिवीको धारण करते हैं, संसारके हितके लिये अवतीर्ण हुए वे ही आज मुझसे 'अक्रूर' कहकर बोलेंगे

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 41

निवृत्तास् तास् ततो गोप्यो निराशाः कृष्णदर्शने यमुनातीरम् आगम्य जगुस् तच्चरितं तदा

nivṛttās tās tato gopyo nirāśāḥ kṛṣṇadarśane yamunātīram āgamya jagus taccaritaṃ tadā

हिन्दी अर्थ

सेन्दुनीलाचलाभं तं सिताम्भोजावतंसकम्॥ २२ “जिनकी इस पिता, पुत्र, सुहृद्, भ्राता, माता और बन्‍्धुरूपिणी मायाको पार करनेमें संसार सर्वथा असमर्थ है, उन मायापतिको बारम्बार नमस्कार है

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 42

ततो ददृशुर् आयान्तं विकासिमुखपङ्कजम् गोप्यस् त्रैलोक्यगोप्तारं कृष्णम् अक्लिष्टचेष्टितम्

tato dadṛśur āyāntaṃ vikāsimukhapaṅkajam gopyas trailokyagoptāraṃ kṛṣṇam akliṣṭaceṣṭitam

हिन्दी अर्थ

जिनमें हृदयको लगा देनेसे पुरुष इस योगमायारूप श्रीहरिको नमस्कार है

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 43

काचिद् आलोक्य गोविन्दम् आयान्तम् अतिहर्षिता कृष्ण कृष्णेति कृष्णेति प्राह नान्यद् उदीरयत् काचिन् मीलितलोलाक्षी तद्भागवतमानसा सर्वात्मानं तम् अभजद् गोविन्दं विष्णुम् अव्ययम्

kācid ālokya govindam āyāntam atiharṣitā kṛṣṇa kṛṣṇeti kṛṣṇeti prāha nānyad udīrayat kācin mīlitalolākṣī tadbhāgavatamānasā sarvātmānaṃ tam abhajad govindaṃ viṣṇum avyayam

हिन्दी अर्थ

सात्वत (यादव अथवा भगवद्धक्त)-गण “वासुदेव'

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 44

काचिद् भ्रूभङ्गुरं कृत्वा ललाटफलकं हरिम् विलोक्य नेत्रभृङ्गाभ्यां पपौ तन्मुखपङ्कजम्

kācid bhrūbhaṅguraṃ kṛtvā lalāṭaphalakaṃ harim vilokya netrabhṛṅgābhyāṃ papau tanmukhapaṅkajam

हिन्दी अर्थ

जिस (सत्य)-से यह सदसद्रुप जगत् उस जगदाधार विधातामें ही स्थित हैं उस

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 45

काचिद् आलोक्य गोविन्दं निमीलितविलोचना तस्यैव रूपं ध्यायन्ती योगारूढेव चाबभौ

kācid ālokya govindaṃ nimīlitavilocanā tasyaiva rūpaṃ dhyāyantī yogārūḍheva cābabhau

हिन्दी अर्थ

कुछ-कुछ सूर्य रहते ही गोकुलमें पहुँच गये

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 46

ततः काश्चित्प्रियालापैः काश्चिद् भ्रूभङ्गवीक्षितैः निन्ये ऽनुनयम् अन्याश् च करस्पर्शेन माधवः

tataḥ kāścitpriyālāpaiḥ kāścid bhrūbhaṅgavīkṣitaiḥ ninye 'nunayam anyāś ca karasparśena mādhavaḥ

हिन्दी अर्थ

वहाँ पहुँचनेपर पहले उन्होंने खिले हुए नीलकमलकी- बछड़ोंके बीच विराजमान देखा

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 47

ताभिः प्रसन्नचित्ताभिर् गोपीभिः सह सादरम् रराम रासगोष्ठीभिर् उदारचरितो हरिः

tābhiḥ prasannacittābhir gopībhiḥ saha sādaram rarāma rāsagoṣṭhībhir udāracarito hariḥ

हिन्दी अर्थ

विशाल और ऊँचा था तथा नासिका उन्नत थी

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 48

रासमण्डलबन्धो ऽपि कृष्णपार्श्वम् अनुज्झता गोपीजनेन नैवाभूद् एकस्थानस्थिरात्मना

rāsamaṇḍalabandho 'pi kṛṣṇapārśvam anujjhatā gopījanena naivābhūd ekasthānasthirātmanā

हिन्दी अर्थ

जो सविलास हासयुक्त मनोहर मुखारविन्दसे सुशोभित थे तथा उन्‍नत और रक्तनखयुक्त चरणोंसे पृथिवीपर

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 49

हस्ते प्रगृह्य चैकैकां गोपिकां रासमण्डले चकार तत्करस्पर्शनिमीलितदृशं हरिः

haste pragṛhya caikaikāṃ gopikāṃ rāsamaṇḍale cakāra tatkarasparśanimīlitadṛśaṃ hariḥ

हिन्दी अर्थ

थे, वन्यपुष्पोंसे विभूषित थे तथा जिनका श्वेत कमलके

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 50

ततः प्रववृते रासश् चलद्वलयनिस्वनैः अनुयातशरत्काव्यगेयगीतिर् अनुक्रमात्

tataḥ pravavṛte rāsaś caladvalayanisvanaiḥ anuyātaśaratkāvyageyagītir anukramāt

हिन्दी अर्थ

घिरे हुए दूसरे केलासपर्वतके समान जान पड़ते थे

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 51

कृष्णः शरच्चन्द्रमसं कौमुदीं कुमुदाकरम् जगौ गोपीजनस् त्व् एकं कृष्णनाम पुनः पुनः

kṛṣṇaḥ śaraccandramasaṃ kaumudīṃ kumudākaram jagau gopījanas tv ekaṃ kṛṣṇanāma punaḥ punaḥ

हिन्दी अर्थ

हे मुने! उन दोनों बालकोंको देखकर महामति अक्रूरजीका मुखकमल प्रफुल्लित हो गया तथा उनके सर्वागमें पुलकावली छा गयी

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 52

परिवर्तश्रमेणैका चलद्वलयलापिनी ददौ बाहुलतां स्कन्धे गोपी मधुनिघातिनः

parivartaśrameṇaikā caladvalayalāpinī dadau bāhulatāṃ skandhe gopī madhunighātinaḥ

हिन्दी अर्थ

मन कहने लगे-- इन दो रूपोंमें जो यह भगवान् वासुदेवका अंश स्थित है वही परमधाम है और वही

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 53

काचित् प्रविलसद्बाहुं परिरभ्य चुचुम्ब तम् गोपी गीतस्तुतिव्याजनिपुणा मधुसूदनम्

kācit pravilasadbāhuṃ parirabhya cucumba tam gopī gītastutivyājanipuṇā madhusūdanam

हिन्दी अर्थ

इन जगद्ठिधाताके दर्शन पाकर आज चक्र. घ्नतता हैत्यपतेईतानि कर्तावमानोपहतं धिगस्तु कि वा जगत्यत्र समस्तपुंसा-

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 54

गोपीकपोलसंश्लेषम् अभिपद्य हरेर् भुजौ पुलकोद्गमसस्याय स्वेदाम्बुघनतां गतौ

gopīkapolasaṃśleṣam abhipadya harer bhujau pulakodgamasasyāya svedāmbughanatāṃ gatau

हिन्दी अर्थ

वे अनन्तमूर्ति श्रीमानू हरि मेरी पीठपर अपना

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 55

रासगेयं जगौ कृष्णो यावत्तारतरध्वनिः साधु कृष्णेति कृष्णेति तावत् ता द्विगुणं जगुः

rāsageyaṃ jagau kṛṣṇo yāvattārataradhvaniḥ sādhu kṛṣṇeti kṛṣṇeti tāvat tā dviguṇaṃ jaguḥ

हिन्दी अर्थ

सेनाको नष्ट करते हुए असुर-सुन्दरियोंकी आँखोंके

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 56

गते ऽनुगमनं चक्रुर् वलने संमुखं ययुः प्रतिलोमानुलोमेन भेजुर् गोपाङ्गना हरिम्

gate 'nugamanaṃ cakrur valane saṃmukhaṃ yayuḥ pratilomānulomena bhejur gopāṅganā harim

हिन्दी अर्थ

प्रदान करनेसे राजा बलिने पृथिवीतलमें अति मनोज्ञ

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 57

स तथा सह गोपीभी रराम मधुसूदनः यथाब्दकोटिप्रतिमः क्षणस् तेन विनाभवत्

sa tathā saha gopībhī rarāma madhusūdanaḥ yathābdakoṭipratimaḥ kṣaṇas tena vinābhavat

हिन्दी अर्थ

वे ही विष्णुभगवान् मुझ निर्दोषको भी कंसके संसर्गसे दोषी ठहराकर क्‍या मेरी अवज्ञा कर देंगे? मेरे ऐसे साधुजनबहिष्कृत पुरुषके जन्मको

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 58

ता वार्यमाणाः पतिभिः पितृभिर् भ्रातृभिस् तथा कृष्णं गोपाङ्गना रात्रौ रमयन्ति रतिप्रियाः

tā vāryamāṇāḥ patibhiḥ pitṛbhir bhrātṛbhis tathā kṛṣṇaṃ gopāṅganā rātrau ramayanti ratipriyāḥ

हिन्दी अर्थ

अत: में उन ईश्वरोंके ईश्वर, आदि, जाता हूँ। मुझे पूर्ण आशा है, वे मेरी कभी अवज्ञा

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 59

सो ऽपि कैशोरकवयो मानयन् मधुसूदनः रेमे ताभिर् अमेयात्मा क्षपासु क्षपिताहितः

so 'pi kaiśorakavayo mānayan madhusūdanaḥ reme tābhir ameyātmā kṣapāsu kṣapitāhitaḥ

हिन्दी अर्थ

कृतसंवन्दनाौ तेन यथावद्बलकेशवौ। यथा च देवकी देवी दानवेन दुरात्मना॥ निशेयं नीयतां वीर न चिन्तां कर्त्तुमहसि। समादिश्य ततो गोपानक्रूरोडपि च केशव: ।

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 60

तद्भर्तृषु तथा तासु सर्वभूतेषु चेश्वरः आत्मस्वरूपरूपो ऽसौ व्याप्य वायुर् इव स्थितः

tadbhartṛṣu tathā tāsu sarvabhūteṣu ceśvaraḥ ātmasvarūparūpo 'sau vyāpya vāyur iva sthitaḥ

हिन्दी अर्थ

भगवानने भी अपने ध्वजा- अपनी ओर खींचकर गाढ़ आलिंगन किया

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

अध्याय ९३

श्लोक 61

यथा समस्तभूतेषु नभो ऽग्निः पृथिवी जलम् वायुश् चात्मा तथैवासौ व्याप्य सर्वम् अवस्थितः

yathā samastabhūteṣu nabho 'gniḥ pṛthivī jalam vāyuś cātmā tathaivāsau vyāpya sarvam avasthitaḥ

हिन्दी अर्थ

फिर उनके द्वारा सत्कृत होकर यथायोग्य भोजनादि कर चुकनेपर अक्रूरने उनसे वह दानव कंसने आनकदुन्दुभि वसुदेव और देवी देवकीको डाँटा था तथा जिस प्रकार वह दुरात्मा अपने पिता

English

ifie illustrious deity sported with them in the stalions of the dance, after all the damsels had been propitiated. As each oF the damsels attempted to remain ín one place close to the side of Krishna, the circle of tlie dance could not be construc- ted. Thereupon taking each by the hand and when their eye- lids were closcd by the cffects of such touch Hari formed the circle. Then began the dance in accompaniment with the music of their clashing bracelets and songs that celebrated in sweet melody the beauty of the autumnal season. Krishna sang the moon of autumn, a mine of gentle rays but the damsels chanted the praise of Krishna only. At times, one of them exhausted by the revolving dance, threw her arms, adorned with the tinkling bracelets round the neck of the Slayer of Madhu : another proficient in the art of singing his praises embraced him. The drops of perspiration from the arms of Hari were like fertilizing rain which produced a drop of dew upon the temples of the damsels of cow-herds. Krishna sang-the melody that was suited to the dance." The damsels again and again repeated— " Bravo, Krishna," to his song. When leading, they followed him, when coming back, they met him and whether he went forwards or backwards they always followed his footsteps. Whilst sporting thus with the females of the cow-herds, they regarded one moment in his absence, as a myriad of years. And although prohibited in vain by their husbands.and brothers, they went nut in night to sport with Krishna, the idol of their affection. Thus the deity of unbounded prowess, the remover of all imperfections, assumed thc character of a youth amongst the damsels of Vraja, pervading their natures and that of their lords, by his own essence all diffusive like the wind, for even as in all creatures the elements of ether, fire, water, and air are comprehended, so also is oe everywhere present and in all.

स्रोत: https://gretil.sub.uni-goettingen.de/gretil/corpustei/transformations/plaintext/sa_viSNupurANa-crit.txt · प्राप्त 3/6/2026

शास्त्रीय प्रामाणिकता एवं पारदर्शकताSources & Interpretation

स्रोत, संस्करण एवं व्याख्या वर्गीकरण

धर्म ग्रंथ पर मूल शास्त्र, पारंपरिक भाष्य और आधुनिक व्याख्या को पूर्णतः पृथक रखा जाता है ताकि पाठक को किसी भी व्याख्या के शास्त्र होने का भ्रम न हो।

सामग्री वर्गीकरण संकेत (Epistemic Content Labels)

६ स्तरिय प्रमाण व्यवस्था
मूल पाठOriginal text

अपौरुषेय / प्रामाणिक शास्त्र (Primary Canonical Scripture)

मूल संस्कृत, प्राकृत अथवा अवधी श्लोक/मंत्र। यह सर्वोच्च प्रमाण (प्रस्थान) है। इस पाठ में किसी भी आधुनिक व्याख्याकार का हस्तक्षेप नहीं है।

शाब्दिक अनुवादLiteral translation

पदार्थ व अन्वय (Direct Grammatical & Word-for-Word Meaning)

व्याकरणसम्मत प्रत्यक्ष शब्दार्थ (अन्वय)। बिना किसी दार्शनिक संप्रदाय के पूर्वाग्रह के, संस्कृत शब्दों का सटीक भाषांतर।

पारंपरिक भाष्यTraditional commentary

आचार्य परंपरा व टीका (Classical Lineage Commentary)

प्राचीन आचार्य परंपरा (यथा शंकराचार्य, रामानुजाचार्य, मध्वाचार्य, श्रीधर स्वामी) द्वारा विरचित शास्त्रीय भाष्य व टीकाएं।

सरल व्याख्याSimple explanation

भावार्थ व सुबोध प्रबोधन (Accessible Pedagogical Exposition)

आधुनिक जिज्ञासुओं के लिए सरल भाषा में भावार्थ। यह मूल मंत्र नहीं, बल्कि पाठ को सुगम बनाने हेतु संपादकीय व्याख्या है।

आधुनिक चिंतनModern reflection

समसामयिक विमर्श व अनुप्रयोग (Contemporary Application & Analysis)

दार्शनिक, मनोवैज्ञानिक व वैज्ञानिक समरूपताओं पर आधुनिक चिंतन। यह मूल शास्त्र का अंग नहीं है और इसे शास्त्रोक्त सिद्धांत के रूप में नहीं देखा जाना चाहिए।

शोध टिप्पणीResearch note

पांडुलिपि एवं ऐतिहासिक शोध (Critical Apparatus & Manuscript Research)

पांडुलिपि विविधताएं, पाठ-भेद (variant readings), छंद रचना, और ऐतिहासिक व तुलनात्मक भाषावैज्ञानिक शोध। यह शास्त्र का मूल संदेश बदलने हेतु नहीं, बल्कि पाठ की प्रामाणिकता परखने के लिए है।

पहचानकर्ता:Vishnu Purana — Chapter 93
संस्कृत संस्करण:Imported text; printed edition not recorded

Digitised text taken from the archive linked below. It has not been collated against a printed edition by this site.

पुरालेखागार / स्रोत:Open Sanskrit text archives (see the source link)
गणना पद्धति:

Numbering follows the imported source and may differ from other editions.