Beginner (जिज्ञासु): Direct entry: original verse, clear literal translation, and accessible life takeaway. (मूल श्लोक, सरल शब्दार्थ और जीवनोपयोगी सार।)
ततः शङ्खाश्च भेर्यश्च पणवानकगोमुखाः।सहसैवाभ्यहन्यन्त स शब्दस्तुमुलोऽभवत्
Explain this line · इस पंक्ति को सरल भाषा में समझें
tataḥ śhaṅkhāśhcha bheryaśhcha paṇavānaka-gomukhāḥ sahasaivābhyahanyanta sa śhabdastumulo ’bhavat
मूल पाठ सहायकReading aid for the sourceWord by word (पदच्छेद व अन्वय)पदच्छेद
- tataḥ
thereafter
- śhaṅkhāḥ
conches
- cha
and
- bheryaḥ
bugles
- cha
and
- paṇava-ānaka
drums and kettledrums
- go-mukhāḥ
trumpets
- sahasā
suddenly
- eva
indeed
- abhyahanyanta
blared forth
- saḥ
that
- śhabdaḥ
sound
- tumulaḥ
overwhelming
- abhavat
was
उसके बाद शंख, भेरी (नगाड़े), ढोल, मृदङ्ग और नरसिंघे बाजे एक साथ बज उठे। उनका वह शब्द बड़ा भयंकर हुआ।
अक्षरशः अनुवाद — मूल संस्कृत श्लोक के प्रत्येक पद का प्रत्यक्ष अर्थ।
Then suddenly conchs, kettle drums, trumpets, tabors, and blow horns blared forth, and the sound was terrific.
Direct literal rendering preserving Sanskrit philosophical terminology.
परम्परागत भाष्यTraditional commentaryTraditional Commentary (परम्परागत भाष्य)परम्परागत भाष्य
Pluralistic Tradition Neutrality (सम्प्रदाय-तटस्थता):
Classical commentaries represent distinct philosophical darshanas (Advaita, Vishishtadvaita, Dvaita). Dharma Granth presents multiple traditional viewpoints without declaring any single tradition as universal or exclusive.
Layers side by side · परतों की तुलना
Each layer is labelled by what it is. None is presented as the correct or best reading.
Original Sanskrit
Source scripture
ततः शङ्खाश्च भेर्यश्च पणवानकगोमुखाः। सहसैवाभ्यहन्यन्त स शब्दस्तुमुलोऽभवत्।।1.13।।
Literal translation
Translation of the source text
Then suddenly conchs, kettle drums, trumpets, tabors, and blow horns blared forth, and the sound was terrific.
Traditional commentary
No reviewed traditional commentary has been added for this verse yet, so there is nothing to compare. Commentaries will appear here only with their commentator, edition and review status.
Simple explanation
Editorial explanation, not scripture
tataḥ—thereafter; śhaṅkhāḥ—conches; cha—and; bheryaḥ—bugles; cha—and; paṇava-ānaka—drums and kettledrums; go-mukhāḥ—trumpets; sahasā—suddenly; eva—indeed; abhyahanyanta—blared forth; saḥ—that; śhabdaḥ—sound; tumulaḥ—overwhelming; abhavat—was
tataḥ—thereafter; śhaṅkhāḥ—conches; cha—and; bheryaḥ—bugles; cha—and; paṇava-ānaka—drums and kettledrums; go-mukhāḥ—trumpets; sahasā—suddenly; eva—indeed; abhyahanyanta—blared forth; saḥ—that; śhabdaḥ—sound; tumulaḥ—overwhelming; abhavat—was
शोध संदर्भResearch context · not scriptureComparative Research Noteशोध टिप्पणी
उसके बाद शंख, भेरी (नगाड़े), ढोल, मृदङ्ग और नरसिंघे बाजे एक साथ बज उठे। दोहराया हुआ स्वर श्वास और अवधान को एक लय में लाता है, इसलिए शब्द यहाँ केवल सूचना नहीं, साधना का साधन है।
A modern parallel offered for reflection. It is not part of the scripture, and it has not been checked against the original sources it may allude to.
स्रोतSources and editionSources and editionस्रोत एवं संस्करण
- Sanskrit text
- github.com/gita/gita · fetched 2026-09-28
- Translations
- Hindi: not flagged as AI · English: not flagged as AI
- Explanation, reflection, research
- Editorial text; no AI flag recorded
- Last updated
- 2026-10-16
- Licence note (as recorded)
- Community dataset — verify license terms at source repo before redistribution.
Found a mistake?
विस्तृत स्रोत एवं भाष्य वर्गीकरण