Beginner (जिज्ञासु): Direct entry: original verse, clear literal translation, and accessible life takeaway. (मूल श्लोक, सरल शब्दार्थ और जीवनोपयोगी सार।)
गृहीतस् मन्त्र १० [IV.v.10] स यथा वीणायै वाद्यमानायै न बाह्याञ्छब्दाञ्छक्नुयाद्ग्रहणाय शक्नुयात् ग्रहणाय वीणायै तु ग्रहणेन वीणावादस्य वा शब्दो गृहीतः
Explain this line · इस पंक्ति को सरल भाषा में समझें
gR^ihItas mantra 10 ##[IV.v.10]## sa yathA vINAyai vAdyamAnAyai na bAhyA~nChabdA~nChaknuyAdgrahaNAya shaknuyAt grahaNAya vINAyai tu grahaNena vINAvAdasya vA shabdo gR^ihItaH
समुद्र एकायनमेव सर्वेषा ५ स्पशानां तगेकायनमेव सर्वेषां गन्धानां नासिके एकायनमेव सर्वेषां ५ रसानां जिहेकायनमेव सर्वषा रूपाणां चन्ञुरेकायनमेव ५ वह चौथा दृष्टान्त एेसा है किं जिस प्रकार जिसका ईधन गीला । हे, एेसे आधान किये हए अग्निसे पथक् धरुएं निकलते है, उसी प्रकार बाह्मण ४ शाङ्करमाष्याथं ११३७ वह् पाँचवाँ दृष्टान्त एसा है कि जिस प्रकार समस्त जलोका समुद्र एक अयन प्रलयस्थान है, इसी प्रकार समस्त स्पर्शोका त्वचा एक अयन है, इसी प्रकार समस्त
अक्षरशः अनुवाद — मूल संस्कृत श्लोक के प्रत्येक पद का प्रत्यक्ष अर्थ।
'And as the sounds of a lute, when played, cannot be seized externally (by themselves), but the sound is seized, when the lute is seized, or the player of the lute;
Direct literal rendering preserving Sanskrit philosophical terminology.
परम्परागत भाष्यTraditional commentaryTraditional Commentary (परम्परागत भाष्य)परम्परागत भाष्य
Pluralistic Tradition Neutrality (सम्प्रदाय-तटस्थता):
Classical commentaries represent distinct philosophical darshanas (Advaita, Vishishtadvaita, Dvaita). Dharma Granth presents multiple traditional viewpoints without declaring any single tradition as universal or exclusive.
Layers side by side · परतों की तुलना
Each layer is labelled by what it is. None is presented as the correct or best reading.
Original Sanskrit
Source scripture
गृहीतस् मन्त्र १० [IV.v.10] स यथा वीणायै वाद्यमानायै न बाह्याञ्छब्दाञ्छक्नुयाद्ग्रहणाय शक्नुयात् ग्रहणाय वीणायै तु ग्रहणेन वीणावादस्य वा शब्दो गृहीतः
Literal translation
Translation of the source text
'And as the sounds of a lute, when played, cannot be seized externally (by themselves), but the sound is seized, when the lute is seized, or the player of the lute;
Traditional commentary
No reviewed traditional commentary has been added for this verse yet, so there is nothing to compare. Commentaries will appear here only with their commentator, edition and review status.
Simple explanation
Editorial explanation, not scripture
Sense: 'And as the sounds of a lute, when played, cannot be seized externally (by themselves), but the sound is seized, when the lute is seized, or the player of the lute;
Sense: 'And as the sounds of a lute, when played, cannot be seized externally (by themselves), but the sound is seized, when the lute is seized, or the player of the lute;
शोध संदर्भResearch context · not scriptureComparative Research Noteशोध टिप्पणी
समुद्र एकायनमेव सर्वेषा ५ स्पशानां तगेकायनमेव सर्वेषां गन्धानां नासिके एकायनमेव सर्वेषां ५ रसानां जिहेकायनमेव सर्वषा रूपाणां चन्ञुरेकायनमेव ५ वह चौथा दृष्टान्त एेसा है किं जिस प…। देह के पदार्थ बदलते रहते हैं, पर जानने का बोध बना रहता है। यह पंक्ति उसी अंतर को कहती है — जो बदलता है वह आवरण है, जो जानता है वह निरंतर है।
A modern parallel offered for reflection. It is not part of the scripture, and it has not been checked against the original sources it may allude to.
स्रोतSources and editionSources and editionस्रोत एवं संस्करण
- Sanskrit text
- sanskritdocuments.org/doc_upanishhat/brihadaaraNyaka.itx · fetched 2026-06-03
- Translations
- Hindi: not flagged as AI · English: not flagged as AI
- Explanation, reflection, research
- Editorial text; no AI flag recorded
- Last updated
- 2026-10-16
- Licence note (as recorded)
- Sanskrit mūla — public domain. Digitized by sanskritdocuments.org.
Found a mistake?
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